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Leutnant warst Du einst bei den Husaren? (1931)
 

 
  


  Country: Germany
  Language: German
  Media: Black/White
  Sound: Mono


 


This musical comedy, based on Fritz Rotter and Robert Stolz's hit song by the same name, is described in Film-Kurier, 1930, No. 1464 as follows:

"Alexandra is the Queen of Gregorien and Prince Vicky, her humble Adjutant,  is generally held to be her designated fiancé. However, things unfold differently.

Republican forces are hard at work Republican forces are hard at work; their network includes a foreign agent, Fedor Karew, who is supposed to find finances for them.

Revolution breaks out and the Queen must abdicate.

At the officers' casino in her Royal Guard's quarters, she appears one last time  At the officers' casino in her Royal Guard's quarters, she appears one last time  in full regalia. The men there are in the midst of a farewell celebration.

The next day she packs her bags to go to Paris and visit an old friend, Lady Trobakoff, who has opened a cabaret there.

Her car is ready, the motor running. Vicky is behind the wheel while the Queen, lost in a wave of nostalgia, hums the refrain from Lieutenant Were You Once With The Hussars?

They've already driven quite a while when suddenly another car appears on the road ahead of them.

Vicky's pride makes him try to overtake it; but this has dire consequences as they collide.

A not unpleasant looking man climbs out of the other car and immediately tends to the Queen who's still in a state of shock. During all this, Vicky tries to make necessary repairs to his car.

A heated discussion ensues. Suddenly there's a thunder storm and it begins to rain in droves. Thus, the handsome stranger offers to drive the Queen, in his undamaged vehicle, to the next village .

Vicky is still busy at the scene of the accident while   the Queen and Vicky is still busy at the scene of the accident while   the Queen and the handsome stranger are already sipping a glass of wine together at the inn.

Their mood grows increasingly cheerful and the stranger, who until now has refused to reveal his identity, insists on Their mood grows increasingly cheerful and the stranger, who until now has refused to reveal his identity, insists on calling himself Romeo and her Juliet.

Alexandra gets increasingly tipsy and begins, as she was accustomed to do when she was queen, to speak to her table partner in a tone of voice that is decidedly dominating and military.

The stranger supposes that she is an actress and asks where she has appeared on stage.

Alexandra, put on the spot, names the Red Lantern, a Paris cabaret.

In the meanwhile it's gotten late and the couple is brought to a room together. ButIn the meanwhile it's gotten late and the couple is brought to a room together. But, by mutual agreement, they separate it into halves with a screen.

AlexandAlexandra sleeps late, well into the next day. When she finally awakes, the stranger has disappeared. But he's left a  message saying good-bye and that he'll see her at the Red Lantern!

The next morning Alexandra drives on with Vicky who was extremely jealous about  the stranger. They are pursued by Knox, a theater agent who wants to sign on the ex queen as a variety attraction.

KaKatharina Trobakoff receives her old friend warmly. Vicky too feels at home in Paris after befriending Mimi a gorgeous ballet dancer.

One evening, Alexandra discovers her mysterious Romeo amongst the cabaret guests.

Basically she's happy about this, but is put on the spot again when he asks her to get on stage « and let her talent as actress shine. »

Alexandra Alexandra is desperate to remain incognito and hastily searches through an old musical score closet to find  some hits that she can sing. She finally stumbles upon something which, despite her stage freight, she performs, eliciting great applause from the audience, but especially from  « Romeo » who is particularly enthusiastic. He invites Alexandra for dinner. Then, there in a loge at the Red Lantern, the couple exchanges their first kiss.

Still, the next day, there's a horrible discovery. Vicky has found the queen's abdication Still, the next day, there's a horrible discovery. Vicky has found the queen's abdication papers in the stranger's car.

Everything Everything suggests that he's none other than the leader of the revolution, the ruthless Fedor Karew who, with the help of this important document of State, intends to raise money for the new republic.

Alexandra is shattered. She wants to immediately break up with him. In the mean while Fedor has noted the document's disappearance. He suspects that Alexandra is involved, asks her to return it and accuses her of being a spy.

« The future of an entire country depends on this document  » he says. So it is returned to him. But once he has left, Alexander breaks down in tears. A new lease on life had winked at her and the disappointment was horrible...

Revolutions are followed by counter revolutions. In Gregorien the monarchist party grows stronger again. Alexandra is called back to retake her throne. She answers the regime's call, but only so that she can protect her still beloved conspirator.

As soon as Fedor crosses the border, he is taken into custody by Vicky. He is held at the inn located there, where the queen also is lodging. So the two of them see each other again and Fedor discovers that he was about to As soon as Fedor crosses the border, he is taken into custody by Vicky. He is held at the inn located there, where the queen also is lodging. So the two of them see each other again and Fedor discovers that he was about to fall in love with the monarch he'd overthrown.

There's nothing left that Alexandra can do. Despite all their efforts, the money that Fedor raised in Paris has come  into the revolutionaries' hands..

Fedor's prospects look good. He has an excellent chance of becoming president.

Voluntarily, the Queen withdraws her claim to the throne. But now Fedor, because of his love for Alexandra, also gives up all his ambitious plans. Instead of politics, he only wants to live happily with Alexandra.
 

 


Cast

Mady Christians Gustav Diessl  Georg Alexander Lotte Spira

Gretl Theimer
Max Ehrlich
Hermann Picha
Ralph Ostermann,
Paul Rehkopf,
Bernd Aldor
Fritz Greiner
Hermann Blass

 



...Queen Alexandra v. Gregorien
...Fedor Karew
...Prince Vicky
...Katherina Trobakoff, former
   Lady-in-waiting
...Mimi, Katherina's daughter
...Ben Knox
...Inn Keeper
...Prime Minister
...Revolutionary
...Revolutionary
...Revolutionary
...Waiter
 


Directed by Manfred Noa

Written by B.E. Lüthge.

Music by Willy Krauss

Text by Peter Herz

Stage sets built by Höfer &
Schwidewsky

Cinematography by Friedrich Fuglsang

Filming directed by
Walter Tost

Music directed by
Schmidt-Boelcke

Artistic supervision by
Rudolf Walter-Fein

Recorded by Hans Grimm

Sound edited by L. Vajda

Sound by Tobis

Rental by AAFA-Film AG
Berlin SW 48
Friedrichstr. 223

 

   
   



 
   

 

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                                 Last modified: January 5th 2012